01The three windows
Glowing red eyes appear in three places. First, an extreme face close-up in warm light from about 14.08 to 15.29 seconds (frames 338 to 367 at 24 fps), right after the gaze lifts on the black stage. Second, the end of the quick push-in at the shop security gate, from about 17.6 to 18.33 seconds (frames 422 to 440). Third, the final dark blue face close-up from about 20.04 to 21.04 seconds (frames 481 to 505), which ends the video.
02Every other shot keeps your eye colour
The booth verse, the full-body stage shots, the grocery aisle, the wide gate shot and the blue-room thumbs-up and chain shots are not red-eye moments in the reference, so the template keeps your natural eyes there. If you see a red tint in the booth or the aisle, note the time; it is outside where the reference puts the effect. The red eyes apply only to your own eyes, not to lights, props or the background.
03How to review each window
Pause at the start, middle and end of each window. Check that both eyes glow, that the glow stays on the eyes rather than spreading across the eyelids or cheeks, and that the eyes are still shaped like yours. Then compare the face around them with your booth shots: the same brows, nose and skin. The first close-up at 14.08 seconds is the largest view of your face in the whole video, so it is the best place to judge likeness.
04Watch the gate push-in at full speed too
The gate moment is built from quick jump cuts that push in toward the face and only turn red at the end. Frame-by-frame review can make the earlier steps look abrupt, because the reference itself jumps. Watch it once at normal speed with sound to judge whether the red eyes land as a beat. Then step through the last few frames before the cut to the blue room at 18.33 seconds.
05What you cannot change
The positions, colour and number of red-eye moments are fixed by the template. You cannot turn the effect off, move it to the booth or add it to other shots, and the soundtrack and cuts are fixed as well. Your choices are the photo and the output resolution. If you want a version without red eyes, this template is not the right one.
06Photos that help the close-ups
Since the close-ups fill the frame with your face, choose a photo with both eyes open and clearly visible. Sunglasses or tinted lenses hide the information the effect is applied to, and strong reflections on clear glasses can do the same. Higher output resolution gives the close-ups more detail; read the quote for each option before you choose. No result quality is claimed here, as no Oakgen example of this trend exists yet.